300 O Solomon, where art thou?

A painting by Jan Steen of a wedding night disturbed by a demon and saved by an archangel was cut in two in the distant past and put back together again in 1996. Ownership of the larger, more attractive part has now been awarded to the heirs of a Dutch Jewish art dealer to whom it belonged in 1940. What is going to happen now? Ending with an appeal to Marei von Saher.

Continue reading “300 O Solomon, where art thou?”

300 O Solomon, where art thou?

A painting by Jan Steen of a wedding night disturbed by a demon and saved by an archangel was cut in two in the distant past and put back together again in 1996. Ownership of the larger, more attractive part has now been awarded to the heirs of a Dutch Jewish art dealer to whom it belonged in 1940. What is going to happen now? Ending with an appeal to Marei von Saher. Continue reading “300 O Solomon, where art thou?”

297 Art for Ronni Baer’s grandchildren

Is it more harmful for a museum item to be crated and shipped off to a loan exhibition or left hanging in its own gallery or storage facility? Do we see the scars of damage once they have been repaired? Schwartz answers these questions as he takes leave of CODART, the network organization for museum curators of Dutch and Flemish art he thought up and worked for for 12 years. Continue reading “297 Art for Ronni Baer’s grandchildren”