Did Rembrandt have more sympathy for Jews and Judaism than most of his contemporaries? This has long been taken for granted, and his paintings of Old Testament subjects and portraits of Jews have been discussed in this light. Since 1984, Schwartz has been questioning this assumption. Here he presents new evidence that Rembrandt cooperated in attaching anti-Semitic meaning to his work. Continue reading “375 Another third poem on Rembrandt Jews”
Talk of iconic! What could be more so than the Temple in Jerusalem? Countless are the chapels, churches, synagogues, mosques and palaces modelled on an idea of what the Temple of Solomon looked like, measured or meant. The Reformed Christians of the Dutch Republic were just as susceptible to the sacred mystery of the Temple as Catholics, Muslims and Jews in their own worlds. This study shows how reconstructions of the Temple on paper (by Spanish Jesuits in 1595) and in a famous model (by a Dutch Jew in the 1640s) affected the form of church, synagogue and palace architecture and decoration in the mid-seventeenth-century Netherlands.
Gary Schwartz, “The Temple Mount in the Lowlands,” from: The Dutch intersection: the Jews and the Netherlands in modern history, edited by Yosef Kaplan, Leiden and Boston (Brill) 2008, pp. 111-21. The proceedings of the Tenth International Symposium on the History of the Jews in the Netherlands, held in Jerusalem in 2004
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That strong emotions have irresistible power over us is undeniable. What can be denied, or ignored, is the all-pervasive influence of even low-grade emotion on society and its members. The Australian Research Council (ARC) is funding a project to investigate the effects of emotion on European life in the second millennium. Schwartz brings back a progress report on emotion in art. Continue reading “351 The emotional turn”
400 years ago last January a precious gift from Bishop Bernard Maciejowski of Kraków reached Shah Abbas I of Persia. It was a magnificent picture Bible, apparently intended to warm Abbas’ heart for the Christian faith.The manuscript, now in the Morgan LIbrary, unites contributions from Jewish, Christian and Muslim civilization. As a talisman, it has not yet done its work.
A friend of Rembrandt’s wrote four poems on The hundred-guilder print. Only two of them, sweet thoughts on the goodness of Christ, are cited in the literature. The third one, a concise statement of classical Christian anti-Judaism, has been repressed in the Rembrandt literature. Schwartz insists that we acknowledge that Rembrandt shared the same attitudes toward the Jews of all his contemporaries and that he was not sympathetic to Judaism. Continue reading “252 The third poem”
At an exhibition in Amsterdam titled Urban Islam, the life styles and attitudes toward religion of young Muslims from around the world are presented with short films and attributes from daily life. Their real choices have less to do with faith than with how to dress. They seem more secular than young Americans. Can this be right? Continue reading “214 Five cities and five pillars”