Jan van der Heyden and the Huydecopers of Maarsseveen

Gary Schwartz, “Jan van der Heyden and the Huydecopers of Maarsseveen,” The J. Paul Getty Museum Journal 11 (1983), pp. 197-220

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The painting that is the subject of the article was de-accessioned by the Getty Museum and sold at auction in New York (Sotheby’s) on 25 January 2007. It was bought by Baron Willem van Dedem, a distinguished collector of Dutch and Flemish paintings. (Baron van Dedem died in November 2015.)

Leo Steinberg (1920-2011)

On Sunday afternoon, 13 March 2011, the eminent art historian Leo Steinberg died, in his own long-time home on West 66th Street in New York, at the age of 90. I have called Leo Steinberg a good friend since we met for the first time at the National Gallery in London in 1966. When Loekie and I were married in New York in April 1968, Leo took us and our wedding guests to lunch at Ratner’s on Second Avenue. We have always thought of him as the godfather of our marriage, now in its 42nd year.

In 1994, Leo Steinberg came to the Netherlands to deliver a public lecture at Utrecht University. This is the text of the talk by which I introduced him to the audience.

Open pdf (282 kB) at Leo Steinberg Utrecht 1994

Review of Ernst van de Wetering, Self-portraits, A corpus of Rembrandt paintings, vol. IV

Vol. IV of A corpus of Rembrandt paintings is the first for which Ernst van de Wetering is fully responsible. The uneasy relationship of the new volume to vols. I-III is examined critically.

Published in HNA News and Review of Books, November 2006, pp. 28-31, without illustration. Available online, though only for members of HNA (Historians of Netherlandish Art – if you are not a member – join!). Published previously in German in the Frankfurter Allgemeine Zeitung, 3 May 2006, which can be downloaded for one euro at https://fazarchiv.faz.net/.

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Rembrandt research after the age of connoisseurship

An extended critique of the Rembrandt Research Project and of connoisseurship in general. Published in the last issue of the short-lived journal Annals of Scholarship. The issue is dated 1993, but the sickness and death of the editor, Ruth Graham, led to a delay in publication until 1995.


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After I win the game I’ll tell you what the rules were, or A new Rembrandt from 1632

A painting that is ignored in the first three volumes of the Corpus of Rembrandt paintings has now been attributed to Rembrandt by the leader of the Rembrandt Research Project. His arguments give Schwartz reason to investigate his methods and ask what criteria should be addressed in judging the authorship of old master paintings. He first tells the story of how the painting was bought and sold since 1970.


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