“Here’s not looking at you, kid: some literary uses of Vermeer”

Schwartz uncovers misappropriations of the great Dutch artist by a raft of writers and an artist. Is he sorry he didn’t write a novel about Vermeer? Maybe.

March 2001 Art in America pp. 104-07 (can be enlarged with CTRL+ for legibility)

Last paragraph and notes (all numbered i Рyou can link them to their place in the text if you really want to)

279 No thanks for the memory

The commemoration of war victims provides a measure of closure for the pain of war. It may not feel that way, but it forms an important part of war itself. Rather than eliminating memorial days, Schwartz argues for the extension of mourning to cover all victims of war, down to enemy, civilian and psychological casualties. Such a practice would aggravate rather than ease the emotional burden of war, bringing it closer to the point where it becomes unbearable.


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