345 The transparent connoisseur 4: a Berenson scorecard

A magnificent new catalogue has been published on the Bernard and Mary Berenson collection at I Tatti. Schwartz uses it to test the sustainability of the Berensons’ attributions of paintings for which they put down cash on the barrelhead. The results are disenchanting. Only one of eighty-seven relevant entries is an original Berenson attribution that is still accepted. Continue reading “345 The transparent connoisseur 4: a Berenson scorecard”

328 Sailing to salvation

In 1300 the first Holy Year was proclaimed, offering pilgrims to Rome attractive indulgence packets. This took place shortly after access to pilgrimage sites in the Holy Land was curtailed by the loss of Acre. Schwartz relates these events to each other and to the commissioning of Giotto’s depiction in St. Peter’s of the Ship of the Church, the famous Navicella. Continue reading “328 Sailing to salvation”