357 Gulley Jimson had nothing on Emanuel de Witte

If they didn’t live three centuries apart and if he were a human being instead of a fictional character, you could easily confuse Gulley Jimson with Emanuel de Witte. Both were gifted painters who insulted, bullied and stole from their patrons and were always ready for fights they couldn’t win.

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356 Listening to lectures

Listening to lectures is one of the poorest methods known for acquiring knowledge. There are exceptions – Schwartz thinks he took away new insights from recent lectures on the Netherlands in the seventeenth century (Spinoza); Germany in the sixteenth (Luther); and literature in the twenty-first (Nicole Krauss).
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353 Back to/from Poland

With a family history in Poland and the encumbrance of the Holocaust, Schwartz cannot visit that country like a casual tourist. A professional congress brought him to Warsaw for four days, where his ignorance of his antecedents came back to oppress him. Personal, scholarly and professional feelings become crossed and confused.
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351 The emotional turn

That strong emotions have irresistible power over us is undeniable. What can be denied, or ignored, is the all-pervasive influence of even low-grade emotion on society and its members. The Australian Research Council (ARC) is funding a project to investigate the effects of emotion on European life in the second millennium. Schwartz brings back a progress report on emotion in art. Continue reading “351 The emotional turn”

350 The munificence and imaginativeness of Peter Vos (1935-2010)

Seven years after his death, the memory of the Utrecht illustrator and draftsman Peter Vos is enlivened in an exemplary edition of his illuminated letters. The letters enriched the lives of their recipients, and now they do so for us all. Continue reading “350 The munificence and imaginativeness of Peter Vos (1935-2010)”

349 The difference between Frans Post and Hercules Seghers

The print room of the Rijksmuseum mounted magnificent exhibitions on two very different Dutch landscape artists, the portrayer of BrazilĀ Frans Post and the traveler in his own imagination Hercules Segers. The juxtaposition brings Schwartz to compare them; he finds out that they both came to the same sorry end. Continue reading “349 The difference between Frans Post and Hercules Seghers”