399 With apologies to Alart – his missing double spread

Missing pages from Schwartz’s book on Jheronimus Bosch of 2016. The artist in Den Bosch closest to the master himself was the protean Alart du Hameel. A column to make up for leaving him out. Continue reading “399 With apologies to Alart – his missing double spread”

397 Gabriel Metsu’s Sick child – of state?

Gabriel Metsu’s Sick child in the Rijksmuseum is the poster boy of domesticism in Dutch art. What could be more touching? Schwartz thinks it was also meant to move the viewer in other ways than as an image of maternal care. He thinks he can identify the pathetic little boy as a personification of a high office leading an ailing existence. Continue reading “397 Gabriel Metsu’s Sick child – of state?”

394 The Rembrandt theft of a hundred years ago today

A centennial moment in Schwartz’s art-historical life. One hundred years ago today a Rembrandt self-portrait was stolen from the museum in Weimar. He is writing a book on the painting. A snippet from its fascinating story. Plus a complete lecture and q&a on the exhibition Rembrandt’s orient. Continue reading “394 The Rembrandt theft of a hundred years ago today”

393 The transparent connoisseur 6: Johnny One Work

There are nearly one-and-a-half times as many recorded Dutch painters of the seventeenth century by whom not a single work is known than masters with an identified oeuvre. And then there are those by whom we know only one really good painting. Where did their lost paintings go? Lots were thrown away, but others, Schwartz argues, are catalogued under well-known names. This subverts one of the basic assumptions of the connoisseur’s attribution.
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392 “Charlotte” at 40

On the 26th of February 1981 three events took place that laid the basis for the recognition of Charlotte Salomon (1917-1943) as the creator of one of the great works of art of the twentieth century. An exhibition of her work opened in the Jewish Historical Museum in Amsterdam; the film “Charlotte,” directed by Frans Weisz with a scenario by him and Judith Herzberg, had its première; and the first complete edition of her monumental work Life? or Theater? was published. Schwartz was the publisher of the book. He looks back with a sense of achievement, unfortunately blighted by recent events.

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89: Cosmopolitans and other border-crossers

Nexus is a remarkable institution, based first in Tilburg University and since 2017 the VU University in Amsterdam, while claiming to fulfill a function that universities have largely forsaken. That function is the preservation and promulgation of high European culture. Nexus publishes a journal and holds conferences at which leading intellectuals speak and exchange opinions. Schwartz reflects on the conference of 1999. Continue reading “89: Cosmopolitans and other border-crossers”