The contributions of the Rembrandt Research Project to the study of Rembrandt paintings are countless and invaluable. In particular, the insistence of Ernst van de Wetering that the physical study of paintings be integrated into the practice of connoisseurship has changed the face of the field. However, inconsistencies in the six volumes of its Corpus of Rembrandt paintings leave us in uncertainty concerning its reconstruction of Rembrandt’s oeuvre. Schwartz puts his finger on a possible re-attribution that should be forthcoming, but isn’t.
Continue reading “364 The transparent connoisseur 5: Keeping the Rembrandt Research Project to its word”
“Saenredam, Huygens and the Utrecht bull” was Gary Schwartz’s first publication as an art historian. He looks back on how it came into being and what it meant in his life. Schwartz would like to think of the Dutch- and Flemish-speaking low countries as one culture, but circumstances keep intruding on this ideal image. Circumstances such as the lives and posterities of Peter Paul Rubens and Rembrandt van Rijn.
Continue reading “363 Saenredam and Huygens; Rubens and Rembrandt”
Mutual relations among Rembrandt specialists are not always as cordial as they might be. It takes understanding and diplomacy to stay on good terms with everyone in the field. In that I have not been universally successful. One colleague with whom I have always got on well, differences not aside but included, is Christopher Brown. This is more to his credit than to mine. But I admire him for much more than that. Continue reading “362 Work for a grown man”
Some of the best realist painters of the twentieth century were Dutch. If few art lovers outside the Netherlands have heard of them, this is because the Netherlands has proven unable to launch major reputations for artists who stayed at home and did not work in international groups like De Stijl or Cobra. Schwartz delves into the issue, and is held up midway by the tragic choices of the best of the Dutch realists, Pyke Koch.
Continue reading “361 Between the wars”
A German art critic-editor and a German publisher have brought out one of the main ego documents of twentieth-century art in England and the US. Schwartz’s personal comments on and associations evoked by R.B. Kitaj’s outrageous Confessions of an old Jewish painter.
Continue reading “360 Kitaj lets it all hang out”
The Temple Mount in Jerusalem exercises a bewitching lure over Jews, Muslims and Christians. Not even the famously sober Dutch Calvinists could escape its spell. At least four seventeenth-century churches in the Republic were identified in form with the Temple. So was the Portuguese synagogue in Amsterdam. As similar as these features of the churches and the synagogue may look, the meanings they convey are antithetical.
Continue reading “359 The Temple Mount in the Lowlands”
The Jewish Historical Museum in Amsterdam has opened one of the most remarkable exhibitions you are ever likely to see, Charlotte Salomon. Life? or Theatre? It runs for a generous five months from 20 October 2017 to 25 March 2018. The occasion is the 100th anniversary of the artist’s birth in 1917. In 1943 she was murdered in Auschwitz.
Continue reading “358 The titles of Charlotte Salomon’s masterpiece”
If they didn’t live three centuries apart and if he were a human being instead of a fictional character, you could easily confuse Gulley Jimson with Emanuel de Witte. Both were gifted painters who insulted, bullied and stole from their patrons and were always ready for fights they couldn’t win.
Continue reading “357 Gulley Jimson had nothing on Emanuel de Witte”
Listening to lectures is one of the poorest methods known for acquiring knowledge. There are exceptions – Schwartz thinks he took away new insights from recent lectures on the Netherlands in the seventeenth century (Spinoza); Germany in the sixteenth (Luther); and literature in the twenty-first (Nicole Krauss).
Continue reading “356 Listening to lectures”
What could be a greater honor than to be appointed Ambassador of the Free Mind? That title was bestowed on Schwartz by unrivalled champions of the free mind, the Ritman family of Amsterdam.
Continue reading “355 Embassy of the Free Mind”