431 The transparent connoisseur 9: Keeping an open mind

Gary Schwartz, with Edward Rosser

From a mail of 1 September 2024 from Otto Naumann: “The safest position as a connoisseur is that of a Naysayer.  In this position, one doesn’t have to explain oneself, only say something like ‘I know this artist, and this object is not by him.’ But to say that an item can be attributed to a particular artist is quite another proposal, one that needs a lot of explanation.” A case in point. (Not the one Otto was writing about.)


Continue reading “431 The transparent connoisseur 9: Keeping an open mind”

424 The transparent connoisseur 8: An ill-judged attribution in Den Bosch

A Dutch museum features a fascinating painting of the art of painting itself, in the guise of a woman artist at the easel. The museum ignores overwhelming evidence for its origins in a collaboration between Jan Brueghel I and Frans Francken II and wrongheadedly gives it to Jan Brueghel II.


Continue reading “424 The transparent connoisseur 8: An ill-judged attribution in Den Bosch”