A wrong call by the Rembrandt Research Project (“the authority on Rembrandt and has final say in whether a painting is genuine”- Wikipedia) cost the heirs of the generous art collector Harold Samuel a not so small fortune. Schwartz tells the tale and discusses the issues involved. Continue reading “341 The transparent connoisseur 3: The 30 million pound question”
A painting that is ignored in the first three volumes of the Corpus of Rembrandt paintings has now been attributed to Rembrandt by the leader of the Rembrandt Research Project. His arguments give Schwartz reason to investigate his methods and ask what criteria should be addressed in judging the authorship of old master paintings. He first tells the story of how the painting was bought and sold since 1970.