Have you seen the announcement by the Van Gogh Museum that a painting in the museum that has generally been called a self-portrait of Vincent is actually a portrait by him of his brother Theo? Before you grant it your precious credence, see what Schwartz has to say. Continue reading “315 Theo in the picture”
A country art auction in England made the front pages all over the world when 2.2 million pounds was paid for a painting that looks a lot like a Rembrandt self-portrait. Is it? Schwartz thinks it is, and supplies an analysis to explain why. At the same time, he shows how the published opinions of the Rembrandt Research Project could have led to the rejection of the painting by the experts consulted by the owner and the auction house. More like an article than a column.
The papers are full of long stories on a short letter in the New England Journal of Medicine. The authors, Harvard neurobiologists, claim that his self-portraits contain certain evidence that Rembrandt was wall-eyed and that this had consequences for his artistry. Schwartz begs to differ. The scientists simply ignore a mass of material in which no such aberration is visible, and they fail to notice that similar effects as they observe in Rembrandt portraits can also be seen in self-portaits by others. Continue reading “219 Rembrandt as eyewitness”