The exhibition at the Jewish Museum and Tolerance Center in Moscow on which I have been working for five years with Mirjam Knotter of the Jewish Museum in Amsterdam. “Rembrandt seen through Jewish eyes,” has been postponed indefinitely. Still, I have to submit text for the Russian-language catalogue that was going to be printed. Here are fragments from the section “Jewish artists discover Rembrandt.”
An exploration of the riches of beauty and meaning invested in and taken from art by Guillam van Haecht and his patron Cornelis van der Geest. Published in the Dutch art magazine Tableau, the summer issue of 1996, pp. 43-52.
Never would I ask you to pity the poor Rembrandt specialist. I regret not a moment of the years I have put into studying him. But besides the outreach of my publications and lectures, there is also inreach, which can be challenging. Read about the biggest painting I have ever been called upon to certify as a Rembrandt.
Did Vermeer’s Kitchen maid, an icon of Dutchness, have an older, Italian sister? Schwartz finds her resemblance to an earlier, unjustifiedly doubted, Vermeer copy after an Italian painting of a saint so convincing that he sticks his neck out to argue that she does.
Rembrandt Seen Through Jewish Eyes: The Web Conference
Schwartz weighs in on the discussion of the iconography of the splendid Rembrandt Standard bearer now bought by the Rijksmuseum and comments sourly on its price.
Earlier this year, the Dutch daily NRC Handelsblad asked me for an interview in which I would reveal, in order from 10 to 1, what my favorite ten Rembrandt self-portraits are. Instead of talking to the editor, Arjen Ribbens, I wrote up my preferences in an illustrated column, in English. I put them in chronological order, but that worked out all right, because my number 1 was indeed the latest. Ribbens translated a pared-down version, made it look more like an interview and published it in the issue of 6 November 2021. For the Schwartzlist, here is the English original.
Half a year ago I missed an anniversary. 10 May 2021 was 25 years to the day since the appearance of the pilot of the Schwartzlist. It was an article in the Cultural Supplement of the daily NRC Handelsblad, with the title “Rembrandt bij het grofvuil” (Rembrandt in the garbage). On the basis of that publication, the newspaper offered me a bi-weekly column for a year. I wrote the columns in English, to be translated into Dutch by the paper. Starting with the first of the columns, “Vermeers razernij” (Vermeer’s frenzy), on the 5th of July 1996, I mailed the English version to my 50 or so email correspondents of the time. For the milestone installment 400, I am publishing the pilot. Continue reading “400 Rembrandt in the garbage”
Missing pages from Schwartz’s book on Jheronimus Bosch of 2016. The artist in Den Bosch closest to the master himself was the protean Alart du Hameel. A column to make up for leaving him out. Continue reading “399 With apologies to Alart – his missing double spread”
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