309 Pseudo-Semitism

As a reader of Hebrew, Schwartz has long been intrigued by the occurrence of lettering in that language in works of art. He examines a sample of works from the 15th century, now on view in Bruges, to find out how much Hebrew they contain and whether it means anything, either as text or as a symptom of Jewish-Christian relations. His conclusion: it means neither. Continue reading “309 Pseudo-Semitism”

276 Non-Jewish museums

The historical museums of Europe ignore minorities and therefore lend implicit support to xenophobic national self-images. The rise of high-quality Jewish museums serves as an excuse for historical museums to eliminate the Jewish dimension of European history from their displays. A campaign to redress the balance is called for. Continue reading “276 Non-Jewish museums”

252 The third poem

A friend of Rembrandt’s wrote four poems on The hundred-guilder print. Only two of them, sweet thoughts on the goodness of Christ, are cited in the literature. The third one, a concise statement of classical Christian anti-Judaism, has been repressed in the Rembrandt literature. Schwartz insists that we acknowledge that Rembrandt shared the same attitudes toward the Jews of all his contemporaries and that he was not sympathetic to Judaism. Continue reading “252 The third poem”