On the road, especially in faraway places, Schwartz is known to succumb to an upwelling of Jewish sentiment that he never acts on at home. In Isfahan, he attended Friday-night services in the synagogue of a 2,500-year-old community and got a powerful dose of tribal feeling. Continue reading “282 Reading the prayer book in Isfahan”
The historical museums of Europe ignore minorities and therefore lend implicit support to xenophobic national self-images. The rise of high-quality Jewish museums serves as an excuse for historical museums to eliminate the Jewish dimension of European history from their displays. A campaign to redress the balance is called for. Continue reading “276 Non-Jewish museums”
The idea that Rembrandt was sympathetic to Jews and Judaism is so generally accepted that it is seldom questioned critically. One of the pillars of this supposition is the identification of many portrait sitters and models as Jews. Hardly any of these can however stand up to scrutiny.
A friend of Rembrandt’s wrote four poems on The hundred-guilder print. Only two of them, sweet thoughts on the goodness of Christ, are cited in the literature. The third one, a concise statement of classical Christian anti-Judaism, has been repressed in the Rembrandt literature. Schwartz insists that we acknowledge that Rembrandt shared the same attitudes toward the Jews of all his contemporaries and that he was not sympathetic to Judaism. Continue reading “252 The third poem”