277 The race across the bridge

An eloquent new essay in what is called contemporary history, a book by the Dutch author Geert Mak on the Galata Bridge in Istanbul, brings back memories of the predecessor of the present bridge, which Schwartz first crossed in August 1961. It was a pontoon bridge that opened every night for shipping to the Golden Horn. Every time it was reopened for land traffic, a race took place that now seems like a clue to the creation of human values.


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275 What Scarlett Johansson doesn’t know about Vermeer

In February a volume of studies in Dutch art was published in memory of the economist and historian of Dutch art Michael Montias. Schwartz recommends it. In a P.S. the impending end of the Dutch-language basis for the Schwartzlist is announced.


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211 An American in The Hague

Ethel Portnoy, a dear friend, died at the age of 77. She was an embodiment of American Europeanness, creating in the Netherlands an international but entirely Dutch literary personality. She had the precious writer’s gift of giving readers a feeling that they were in her confidence.


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210 Specialism with a human face

The appearance of an outstanding collection of articles by his old friend Albert Blankert brings out sentimental recollections and upright admiration in Schwartz.


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209 The taste of the unicorn

A good provenance is not supposed to add to the value of a work of art, but it does. The information that an object was once owned by someone with famous good taste is worth money on the auction block. A collection mainly of Dutch 18th-century drawings that partakes of this quality, coming up at Sotheby’s Amsterdam on 19 May, is the Unicorno Collection, accumulated over the past 50 years by Saam and Lily Nijstad.


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