A painting by Jan Steen of a wedding night disturbed by a demon and saved by an archangel was cut in two in the distant past and put back together again in 1996. Ownership of the larger, more attractive part has now been awarded to the heirs of a Dutch Jewish art dealer to whom it belonged in 1940. What is going to happen now? Ending with an appeal to Marei von Saher.
Continue reading “300 O Solomon, where art thou?”
In February a volume of studies in Dutch art was published in memory of the economist and historian of Dutch art Michael Montias. Schwartz recommends it. In a P.S. the impending end of the Dutch-language basis for the Schwartzlist is announced.
Continue reading “275 What Scarlett Johansson doesn’t know about Vermeer”
On the morning of New Years Day, the prolific historian Charles Boxer drafted a list of his writing and speaking commitments for the year, crossing each one off as he accomplished it. Schwartz resolves to do the same. Continue reading “225bis Charles Boxer’s New Years Day”
The appearance of an outstanding collection of articles by his old friend Albert Blankert brings out sentimental recollections and upright admiration in Schwartz.
Continue reading “210 Specialism with a human face”
A good provenance is not supposed to add to the value of a work of art, but it does. The information that an object was once owned by someone with famous good taste is worth money on the auction block. A collection mainly of Dutch 18th-century drawings that partakes of this quality, coming up at Sotheby’s Amsterdam on 19 May, is the Unicorno Collection, accumulated over the past 50 years by Saam and Lily Nijstad.
Continue reading “209 The taste of the unicorn”
A tribute to a beloved and boundlessly respected colleague.
Continue reading “151 I’m not an art historian, but…”