Few of us ever come as deeply under the influence of another person as Charlotte Salomon was affected by Alfred Wolfsohn. To his charismatic teachings we owe the existence of one of the great works of art of the twentieth century. One tie that bound them to each other was the movies. A new exhibition shows how.
Publishing a book is in part like throwing a bottled message into the sea. One such message, in a book by the Holocaust victim Charlotte Salomon that I brought out in 1981, was answered with a beautiful letter from a witness to the creation of Charlotte’s masterpiece. Schwartz is upset that the author of a big new book on the artist exploits that letter but ignores its writer.
A German art critic-editor and a German publisher have brought out one of the main ego documents of twentieth-century art in England and the US. Schwartz’s personal comments on and associations evoked by R.B. Kitaj’s outrageous Confessions of an old Jewish painter.
Continue reading “360 Kitaj lets it all hang out”
Seven years after his death, the memory of the Utrecht illustrator and draftsman Peter Vos is enlivened in an exemplary edition of his illuminated letters. The letters enriched the lives of their recipients, and now they do so for us all. Continue reading “350 The munificence and imaginativeness of Peter Vos (1935-2010)”