Missing pages from Schwartz’s book on Jheronimus Bosch of 2016. The artist in Den Bosch closest to the master himself was the protean Alart du Hameel. A column to make up for leaving him out. Continue reading “399 With apologies to Alart – his missing double spread”
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At a symposium in Vienna devoted to Jheronimus Bosch’s Last Judgment in the Paintings Gallery of the Akademie der bildenden Künste, I presented a paper that was published only a few months later (hats off to Julia Neuhaus and her staff ) in a volume of proceedings. It was dedicated to the memory of Roger Marijnissen, who died earlier that year, in January 2019, at the age of 95.
Gary Schwartz, “A Last Judgment to scare the hell out of you,” in Hieronymus Boschs Weltgerichts-Triptychon in seiner Zeit: Publikation zur gleichnamigen internationalen Konferenz vom 21. bis 23. November 2019 in der Gemäldegalerie der Akademie der bildenden Künste Wien | Hieronymus Bosch’s Last Judgment Triptych in the 1500s: Publication of the proceedings of the international conference held from 21 – 23 November 2019 in the Paintings Gallery of the Academy of Fine Arts Vienna, Vienna (Gemäldegalerie der Akademie der bildenden Künste) 2020, pp. 149-67
Because it was not possible to place all the illustrations I wanted, the depictions of the Vision of Tundale by followers or copyists of Bosch had to be left out. I added them separately at Visions of Tondal in Bosch mode.
On the authority of Rembrandt himself, here is a listing of paintings by him that today are mainly unknown. Readers are invited to discover them.
Gabriel Metsu’s Sick child in the Rijksmuseum is the poster boy of domesticism in Dutch art. What could be more touching? Schwartz thinks it was also meant to move the viewer in other ways than as an image of maternal care. He thinks he can identify the pathetic little boy as a personification of a high office leading an ailing existence. Continue reading “397 Gabriel Metsu’s Sick child – of state?”
On popular demand, Schwartz returns to the vexed question of Rembrandt’s character. A new article disputes the archival basis for Machiel Bosman’s aggressive defense of Rembrandt as a man driven by love of family to bankrupt himself.
“From the word go, admiration for Rembrandt has was offset by annoyances and uncertainties of various kinds.” Thoughts on the matter as published in the Rembrandt Year volume of The Low Countries, 14 (2006), pp. 221-26
The scientific study of works of art turns up truths we might rather not want to know about. Continue reading “83 Fatty acids at large”
Working in 2021 on a book about a disputed Rembrandt self-portrait, I wished to refer to the article below, from July 1992, for its comments on the Rembrandt Research Project. The English text had not been published before. If I am not mistaken, this article has never been referred to in subsequent literature on the painting.
Schwartz seems to have visited more museums during the covid lulls of 2020 than in comparable periods when everything was open and easily accessible. By creating rarity, the pandemic may have enhanced the value of museumgoing. Continue reading “395 Museum memories of 2020”