The Barberini and Orange inventories: a comparison of the collections and their publication

During the same years in the middle of the first half of the seventeenth century, important collections of paintings were amassed by the stadholder of the United Provinces of the Netherlands, Frederik Hendrik, prince of Orange (1584-1647), and Cardinal Francesco Barberini (1597-1679), the nephew of Maffeo Barberini, Pope Urban VIII. The inventories of their collections were drawn up in 1632 and 1625, respectively, offering a good basis for comparison. The article deals not only with the collections, the inventories and their publication in the twentieth century, but also with the structure of the patronage networks deployed by pope and stadholder.

The article was published in honor of Marilyn Lavin, in a festschrift offered by her friends.

Medieval, Renaissance, Baroque: a cat’s cradle for Marilyn Aronberg Lavin, ed. David A. Levine and Jack Freiberg, New York (Italica Press) 2010, pp. 167-178.

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321 Rembrandt, Rubens, the Beau Sancy and the Jew

Cultural pessimists who are sure of the ongoing decline in our appreciation for art will have no choice, after reading Schwartzlist 321, but to change their tune if not their mind. Continue reading “321 Rembrandt, Rubens, the Beau Sancy and the Jew”