The opening of the New Rijksmuseum prompts reflection on how Schwartz experienced the museum from the 1960s until 2003. Continue reading “325 The New Rijksmuseum and its Modern predecessor”
294 L’art, c’est moi
There are times when the behavior of an artist or a museum can fill you with disgust. Covered by the kneejerk respect for art displayed by society, they betray artistic and moral principles that you try to live by. What if anything do you do about it? Schwartz wrestles uncomfortably with the problem.
212 The international identity of the Netherlands
The Rijksmuseum is consulting an array of outsiders in formulating its program for the New Rijksmuseum, which is to open in 2008. As a participant in the round-table discussion on “The Rijksmuseum and Dutch national identity,” Schwartz advised the museum to focus instead on Dutch international identity. He attached to it a very concrete proposal for the presentation of Dutch and foreign art in the rebuilt museum art and an interpretation of the philosophy behind the Old Rijksmuseum. Continue reading “212 The international identity of the Netherlands”